Globe's young-adult Macbeth in UAE

Take a break from watching a bloody dictator fight to the death against foreign-supported rebels on satellite TV... to watch one do it on stage.

London's Globe Theatre educational project (Globe Education's Playing Shakespeare with Deutsche Bank) is bringing its "educational" version of Macbeth to the UAE.  The performance of the show, created specifically for teenagers, was last night at the Abu Dhabi Theatre (would love to hear about audience reception from anyone who was there) and on March 27 and 28 at Al Madinat Theatre, Dubai.

Comparing Qadhafi to Richard III

As foreign news coverage becomes unavoidable, Shakespeare becomes our contemporary once again.  Here are a couple of examples; I'm sure there will be others as events develop.

From The Independent on March 14:

I arrived at the theatre for a performance of Richard III last week with an image from that evening's television news in my head. A line of men lay on a road in Libya. Their hands were pinned to their sides and their noses were flat against the tarmac. But the camera panned low. You could see the sheer terror in their eyes as a beefy Gaddafi loyalist droned a litany of places where his men had killed protesters and where they yet would kill more. The men on the road are probably dead now.

Richard III is a play about a man of violence who maintains himself in office through a regime of unremitting brutality. It was written around 1590 but it is a mark of Shakespeare's evergreen genius that the dynamics it describes are still being played out in Libya, and elsewhere, today.

From something called Economicpopulist, back on Feb 15:

Like Richard III before the Battle of Bosworth Field, Gaddafi watches supporters vanish from top to the bottom of his army. His response has been no less brutal than Richard's, with assaults on his own people by hired thugs that he bought in neighboring countries. It will not end well for him, but it will end soon.

Richard III in Kurdish northern Iraq?

Salah Qasab, one of Iraq's best-known directors Shakespeare (Hamlet, The Tempest, Macbeth, etc.), is talking about staging an adaptation of Richard III in Irbil, Sulaymaniye, and other venues in the Kurdish region of Iraq, if he can get enough support from Kurdistan's ministry of culture.  A few details in his interview with Al-Sabah al-Jadid newspaper (in Arabic). 
But apparently he has had this plan for a while.

Al-Bassam on Speaker's Progress in The Guardian

Sulayman Al-Bassam has a little article in The Guardian on how his current show, a very pessimistic frame story incorporating an Arab adaptation of Twelfth Night,

has changed in production because of recent events in Tunisia, Egypt, etc.

More photos from the production previews here.
The show is coming to BAM in New York next fall.

Some comic relief

Random funny cartoon, just to show that EVERYTHING is related to everything else, and Shakespeare even more so, here:

Afghan Shakespeare in Globe's series

And it's Corinne Jaber, the French actress who directed Love's Labour's Lost in Kabul in 2005 and 2006, who will be doing the Globe's Dari-language Comedy of Errors.  For more on Corinne's Afghan ventures and her recent residency at BU: http://www.bu.edu/today/node/12412.

Revolutionary Egypt: a "To Be Or Not To Be" moment

A couple of samples from online articles that quote Hamlet to underscore the urgency of events in Egypt.

From an alarmist FoxNews (of course) interview with Egyptian tycoon Naguib Sawiris, who actually supported the Tahrir protesters and even bought them tents and blankets: 

When the protests began, Sawiris, a Christian billionaire who owns everything from hotels and construction companies to cell phone and investment interests, was out of the country. He chose to return, unlike other businessmen who have already fled.
“I came back because this was not a revolution of the Muslim Brotherhood.
This was the young people of Egypt doing what we failed to do … There is not a single other businessman who has supported it because it’s very dangerous for their interests; but the country is in a position to be or not to be,” he said.

Toward the end of a long, passionate article  by Mariam Saad in something called The Peninsula: 

Generations grew up within the armed forces and were trained to obey the government and surrender to its resolutions. However, if the situation deteriorates and becomes desperate, the challenge poses itself to the individual; to be or not to be? How will the situation resolve itself?

You can easily find many more of these in English and especially in Arabic.

To some ears, even the protesters' chants had a Shakespearean ring to them! Al-Hayat column by Abdel Ghani Talis, in Arabic, here.