Theatre preview capsule by Ben Brantley (NYT 6/5/09)
Winters of discontent occur in even the sunniest climes. The Kuwaiti-born director SULAYMAN AL-BASSAM has relocated Shakespeare’s demonic Richard III to the Middle East, and this bloodiest of monarchs apparently feels gleefully at home in his new surroundings. Part of the Brooklyn Academy of Music’s “Muslim Voices: Arts and Ideas” festival, “RICHARD III: AN ARAB TRAGEDY,” which opens Tuesday at the Harvey Theater, was commissioned by the Royal Shakespeare Company as part of its 2007 Complete Works Festival. It has now arrived in the States (stopping off at the Kennedy Center in Washington this year) with its message of the utterly contemporary relevance of Shakespeare’s tale of a country raped and paralyzed by a charismatic sociopath. Mr. Bassam has written that “Richard III” has always fascinated him more as history than tragedy. The emphasis in his production, set in an unnamed Gulf emirate, is accordingly less on the psychology than the society of the crookback who would be king (who first appears under the name of Emir Gloucester, if you please). He is, Mr. Bassam says, “the twisted child of a demented history.” Arab music and ritual infuse this “Richard III,” which is performed in Arabic with English titles and seems guaranteed to summon images of the reign of Saddam Hussein and its chaotic aftermath. Tuesday through Friday, 651 Fulton Street, Fort Greene, Brooklyn, (718) 636-4100, bam.org; $25 to $45.
[Will I see BB at the show? Will be sure to keep you posted. -ML]