Friday, August 5, 2011

Call for papers - journal issue on "Global Shakespeares"

A special issue of Shakespeare: Journal of the British Shakespeare Association
on "Global Shakespeare"
Deadline: September 30, 2011

Editor: Alexander Huang, acyhuang@gwu.edu

The Arab world is not yet represented in this issue!

He invites two types of submissions:
• Research article: criticism (5,000-8,000 words)
• Short performance reviews (1,000-2,000 words)
Full CFP available here.

Wednesday, August 3, 2011

Eating your politics: dates for Ramadan

From one site that collects Shakespeare quotations related to various foods:
The Winter's Tale, IV, 3:
CLOWN: I cannot do't without counters. Let me see; what am I to buy for our sheep-shearing feast? Three pound of sugar, five pound of currants, rice,--what will this sister of mine do with rice? But my father hath made her mistress of the feast, and she lays it on. She hath made me four and twenty nose-gays for the shearers, three-man-song-men all, and very good ones; but they are most of them means and bases; but one puritan amongst them, and he sings psalms to horn-pipes. I must have saffron to colour the warden pies; mace; dates?--none, that's out of my note; nutmegs, seven; a race or two of ginger, but that I may beg; four pound of prunes, and as many of raisins o' the sun.
Sounds like the shopping list for an iftar feast, doesn't it?  (Never mind about the puritan.) What got me curious about Shakespeare and dates in the first place was a prior curiosity about the Cairo dried fruit market. Every year at Ramadan, merchants name their wares after politicians and other celebrities, both to attract customers and to show off their sense of humor.  So I wanted to see what they were calling them this year.  Disconcertingly, no individual names seem to have emerged - the principle of "the revolution" has not yet produced any actually plausible leaders.  Still, it's nice to see the post-Mubarak spirit finding its way into the market, according to this article published on July 26:

   One brand of dates is called ‘Revolution’, another ‘Martyrs’, a third “January 25” and a fourth ‘Freedom’.
   “All the brands are expensive, because they stand for something special,” [one customer] told the Egyptian Mail in an interview. 
This year, as Ramadan approaches, dates have assumed proud revolutionary names, which show that this revolution, for which people were longing for decades, has developed a commercial flavour. The most expensive dates on the markets, the above-mentioned ‘Revolution’, sell for LE15 ($2.50) per kilo. 
The cheapest dates are called ‘Tora Prisoners’, reflecting the popular anger at scores of former officials and ministers who are now in Tora Prison in southern Cairo. 
But none of the brands is named after the former president, who is hospitalised in Sharm el-Sheikh, or his wife and his two sons, although the latter are indeed Tora prisoners.
Well, Egyptians can have very short memories sometimes - at least that's what the Date Market Index suggests. In 2009, Gulf News reports, the most succulent and expensive dates were named after President Obama. 

Quite a change from 2001-2, when I last lived in Egypt.  At that time, Ramadan was in November-December, date prices were very high, and Al-Ahram Weekly had this report:
There are six kinds of dates to be found at the market: Sakouti, Baladi, Gandillah, Gargoudah, Malikani and Bartamouda. Others, Nashed says, are given names by their sellers who often draw on current events or famous people. As the attack against America and the war in Afghanistan are today's main topics of conversation, "Osama Bin Laden is the king of the market," one merchant told Al-Ahram Weekly. According to this seller, the price of a kilo of Bin Laden has reached LE16 [at that time about $4.50] within the market and LE20 outside. And what about Bush? "He has no place in the market," was the final and decisive answer.

Tuesday, August 2, 2011

شكسبير في التحرير (Shakespeare in Tahrir)

You knew it was coming, but here it is. As the post-"revolutionary" (I still think it was largely a military coup) situation in Egypt becomes more intense, with a tug-of-war between the military and the protesters, between secular-state and Islamist protesters, and between different branches of Islamists (traditionalists vs. neo-fundamentalists) -- as all this heats up, could Hamlet be far from the conversation?

Tweeted about three weeks ago at http://yfrog.com/kil04ngj

Spacey's Richard III to come to the Gulf

Ok, but this is interesting.  From an interview with "UAE-born social entrepreneur Badr Jafar" on the occasion of the release of the charity single song "Bokra" (Tomorrow), produced with Quincy Jones:
I also feel that we need to further develop theater in the Middle East, which is why I recently launched the Middle East Theater Academy with famous actor Kevin Spacey who has dedicated a lot of his life to working with children and nurturing their creative talents with theater. We already conducted a number of workshops in the UAE and Qatar and will bring the first major production of Shakespeare’s Richard III to the Gulf later this year, with Kevin Spacey himself playing Richard III.
Presumably (and accurately) this puts Sulayman Al-Bassam's RIII in the category of "minor production."  Still, if someone is on site, it would be interesting to compare the UAE reception of the two shows.

Spacey again - art imitates life imitates art

From a Sydney Morning Herald interview with Kevin Spacey, on playing Richard III:
But in the meantime, it is Shakespeare's king who absorbs his attention, in a production that carries fresh relevance in the light of the revolutionary Arab protests.
''It's interesting looking at these dictators around the world,'' Spacey says, ''[and seeing] how their idea of what a king looks like is very much based on English monarchy.''

Huffy "expert" on Shakespeare and Middle East tyrants

Forgot to blog about this HuffPost column when Google alerted me to it a couple of weeks ago.  Who is this (self-anointed?) "expert" Shai Baitel, and why do his dyspeptic ruminations on Kevin Spacey as Richard III (under the pompous title "Power and Downfall -- Between Shakespeare and Arab Tyrants") merit placement as political analysis?  Ah, but this is the magic of invoking Shakespeare to discuss contemporary politics.  Any hint of today's political violence adds the spice of perceived relevance to a simple run-through of an old history play.
But can Shakespeare's Richard III, in Mendes's thoughtful interpretation and irresistibly brought to life by Spacey, compare to the ilk of the rulers of Iran, to Bashar al-Assad, to Hassan Nasrallah, to Muammar Gaddafi?
And referring to Shakespeare's plays automatically gives depth to otherwise incoherent ponderings on the Middle East.
But unlike Richard III our Middle Eastern despots have a larger arsenal at their hands: they are a 21st century variety of ruthless sovereigns, with propaganda, mass media, surveillance and intelligence agencies, sophisticated weapons and technology, as tools to keep their people in check and secure their rule. Richard III was left with shamelessly sowing terror. He did not hesitate to kill, including members of his own family, to reach his goal. Whoever had the temerity to disagree with Richard III's opinion or argued with him went to prison -- at best -- or had to die. And he had the absolute power of the armed forces, which he used against his enemies. In that respect there are parallels indeed between Richard III and the modern-day Arab tyrannical leaders.
Whatever.

Is Asian Shakespeare "worthy"?

What the hell does this mean?  From an Edinburgh Fringe Festival preview in the New Statesman:
The International Festival is exploring links between east and west, hence a Chinese Hamlet, a Korean Lear and a new stab in Arabic at One Thousand and One Nights. Yet it need not be that worthy. Under Stephen Earnhart, a Japanese company has adapted Haruki Murakami's Wind-Up Bird Chronicle (20-24 August). Buy me a drink and I'll tell you what I know: that he is, at least, an excellent novelist.
Would be interested in any reports on Tim Supple's 1001 Nights (with text adaptation help from Hanan al-Shaykh!), if anyone gets to see it.